Thomas Girtin – Pevensey Castle, Sussex
c.1795. 16×22
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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Here we see the towers rising from a gently sloping terrain covered with sparse vegetation. The foreground is defined by clumps of tall grasses and low-lying shrubs, painted in shades of green and yellow, which add texture to the scene. A small body of water, likely a moat or pond, reflects the sky’s pale hues, creating a sense of stillness and isolation.
The artist employed a loose watercolor technique, allowing washes of color to blend and bleed into one another. This contributes to an overall atmosphere of melancholy and transience. The lack of precise detail in the landscape emphasizes the monumental presence of the ruins, while also hinting at their gradual absorption back into the natural environment.
Subtly, the drawing evokes themes of time’s passage and the impermanence of human endeavor. The fortification, once a symbol of power and defense, now stands as a testament to decline. The muted color palette reinforces this sense of loss and decay, while the expansive sky suggests an overwhelming scale against which these remnants are dwarfed. There is a quiet dignity in the ruins’ survival, however; they persist despite their diminished state, suggesting resilience even in ruin.