St. Sebastian Garofalo (Benvenuto Tisi) (1481-1559)

The composition presents a male figure positioned against a classical column, his body riddled with arrows. He leans on the column for support, his posture suggesting both suffering and resignation. A voluminous green drape clings to one side of his torso, partially concealing the extent of his injuries while simultaneously emphasizing the vulnerability of his exposed flesh.
The artist has rendered the figure with considerable anatomical detail; the musculature is clearly defined, conveying a sense of physical strength despite the evident pain. The face exhibits an expression of anguish, eyes directed upwards in what appears to be a plea or acceptance. A halo encircles his head, signifying sanctity and divine grace.
The background establishes a landscape receding into the distance. Buildings are visible on a hillside, suggesting a settlement or town, while distant mountains frame the horizon under a cloudy sky. The ground plane is uneven, marked by low walls and patches of vegetation, creating depth within the scene.
Several layers of interpretation can be drawn from this depiction. The arrows piercing the body clearly symbolize suffering and martyrdom. The classical column alludes to strength and endurance, yet also serves as a visual marker of imprisonment or constraint. The figure’s nudity underscores his innocence and vulnerability before divine judgment. The upward gaze suggests spiritual aspiration and faith in the face of adversity.
The landscape, while seemingly peaceful, contrasts sharply with the immediate suffering depicted. This juxtaposition may be intended to convey themes of hope amidst despair, or perhaps to highlight the contrast between earthly pain and eternal reward. The overall effect is one of profound pathos, inviting contemplation on themes of sacrifice, faith, and human endurance.