The Librarian Giuseppe Arcimboldo (1526-1593)
Giuseppe Arcimboldo – The Librarian
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Painter: Giuseppe Arcimboldo
Location: Skokloster Castle, Habo Municipality (Skoklosters slott).
Giuseppe Arcimboldo was an artist who lived in Italy in the 16th century, a painter at the court of the Habsburgs. He was an enigmatic and peculiar artist of the time, for which he became famous. Neither the general public nor experts are still unable to fully unravel the mystery of his painting. Today, his painting impresses with its unique artistic concept, and a bold "avant-garde" embodiment.
Description of Giuseppe Arcimboldo’s painting The Librarian
Giuseppe Arcimboldo was an artist who lived in Italy in the 16th century, a painter at the court of the Habsburgs. He was an enigmatic and peculiar artist of the time, for which he became famous. Neither the general public nor experts are still unable to fully unravel the mystery of his painting.
Today, his painting impresses with its unique artistic concept, and a bold "avant-garde" embodiment. Until our days have survived 14 of his paintings. Arcimboldo - a brilliant spokesman for nature, he very skillfully and truthfully conveyed on his paintings its colors, dying and reborn splendor.
One of his paintings, The Librarian, was painted by him in 1565. Looking at this painting, one gets the impression that the author depicted a real bookworm.
This three-dimensional composition, which embodies the image of a stereotypical librarian, which has been developed over many years.
It is a man with a beard of unclear age, he is covered with books.
The librarian seems to come out from behind a closed dark curtain to bring some books from the archives to the reader. He has been working in the library for years, fully immersed in his activities. This bookworm knows how to help readers with choosing the right book, and where which one is on which shelf.
In his hands and on his chest he holds books of different colors and sizes, they are also depicted in the form of a hand, head and torso. To some, the depicted librarian may seem like a nerdy, under-aged worker who jealously guards the book treasures.
This image was created by the author with the help of a visual pun in the form of a symbolic figure, which the artist was so successful in creating. These transformations in the 20th century were as a source of inspiration and imitation by the Surrealist painter Salvador Dali, known to all.
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COMMENTS: 1 Ответы
АРЧИМБОЛЬДО
Маньеризма зеркала
Отражают то, что невозможно.
Рыбьи и медуз ещё тела
Составляют изощрённо-сложно
Тот портрет. А этот дан из книг.
Сверхзанятная игра такая.
Иль смещённым бытия язык
Дан, причудам мастера внимая…
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The face, though recognizably humanoid, possesses exaggerated features – large eyes peering out from behind spectacles, and an oversized nose – that contribute to a sense of caricature. The effect is not mocking, however; rather, it conveys a certain earnestness, even awkwardness, in the figure’s devotion to its textual existence.
The books themselves are rendered with varying degrees of detail. Some appear aged and worn, their spines faded or cracked, while others display gilded edges and intricate decorative elements. This variety hints at a vast repository of knowledge, encompassing different eras and aesthetic styles. The layering of the volumes creates depth and visual complexity, reinforcing the idea of accumulated wisdom.
The background is dominated by heavy blue draperies, which frame the figure and create a sense of enclosure or isolation. These curtains suggest a space dedicated to study and contemplation, perhaps a private library or archive. Their somber color palette further emphasizes the seriousness of the subject matter.
Subtly, the painting seems to explore themes of identity and absorption. The figure’s very being is defined by its relationship to books; it appears almost consumed by them. This raises questions about the nature of knowledge – does it liberate or confine? Does immersion in learning lead to a loss of self, or does it expand ones understanding of what it means to be human?
The artist’s choice to depict this figure as both imposing and vulnerable invites contemplation on the role of the intellectual in society, and the potential for knowledge to simultaneously empower and overwhelm. The overall impression is one of quiet reverence for the written word and a playful yet thoughtful exploration of its profound influence.