"Every cook must learn how to manage the state." Lenin (Makarychev, Raev) Soviet Posters (1917-1941)

The composition presents a striking visual metaphor for political power and societal transformation. A central figure, rendered in a simplified, almost iconic style, dominates the upper portion of the artwork. He is depicted with a stern expression, his hand extended outwards, pointing towards a stylized representation of governmental buildings – a structure composed of columns and arches – contained within a circular form. This gesture suggests a direct transfer or delegation of authority.
The figure’s placement against a bold red background immediately establishes an association with revolutionary ideals and socialist principles. The text above him, prominently displayed in Cyrillic script, reinforces this connection, attributing the sentiment expressed to Lenin.
A diagonal line emanates from the figures pointing hand, intersecting with a lower section of the composition. This line appears as a stylized arrow, visually linking the individual’s action to a subsequent shift in power dynamics. The text along this line further elaborates on this transition: One cannot decide matters at home or in the kitchen; previously, working-class life was dark, but now the council decides everything.
The lower portion of the artwork is divided into rectangular blocks containing textual information. These blocks are arranged to create a sense of layered meaning, suggesting a progression from domesticity to collective governance. The stark contrast between the red background and the black text creates visual emphasis and reinforces the message of societal upheaval.
The overall effect is one of didacticism – a clear attempt to convey a specific political ideology through accessible imagery and concise messaging. The simplification of forms and the use of symbolic elements suggest an intention to reach a broad audience, promoting the idea that even those traditionally relegated to domestic roles (implied by the reference to cooks and kitchens) can participate in and influence state affairs under the new regime. The artwork functions as propaganda, advocating for the empowerment of the working class through participation in Soviet councils.