Our army is the army of the liberation of working people I. Stalin (V. Koretsky) Soviet Posters (1917-1941)

The composition centers on a deeply intimate embrace between two figures: a man in traditional peasant attire and a soldier in military uniform. They are positioned close together, their faces locked in a kiss that dominates the visual field. The soldier holds his rifle firmly in one hand while embracing the other man; the peasant similarly grips his own weapon. This juxtaposition of tenderness and readiness for conflict is immediately striking.
Behind them, a crowd of figures recedes into the background, rendered with less detail but suggesting a mass of support and solidarity. A red flag is visible amongst them, further reinforcing themes of revolutionary fervor. To the right, a striped banner – likely representing a border or a conquered territory – is partially obscured by the foreground action, hinting at liberation from external forces. An airplane flies overhead, symbolizing technological advancement and perhaps aerial reconnaissance or defense.
The artist’s use of light is significant. The figures in the foreground are brightly illuminated, drawing attention to their emotional connection while casting the background into relative shadow. This creates a sense of depth and emphasizes the importance of the central pair as representatives of a larger collective. Their physiques are idealized – muscular and robust – conveying strength and vitality.
The subtexts embedded within this work are complex. The kiss, far from being merely romantic, functions as a symbolic union between the working class (represented by the peasant) and the military force tasked with their liberation. It suggests an intimate bond, a shared purpose that transcends social divisions. The presence of weaponry in such a tender moment underscores the necessity of armed struggle for achieving this liberation.
The inscription at the top, attributing the sentiment to a prominent political figure, reinforces the ideological underpinnings of the image: it is not simply a depiction of personal affection but a statement about the army’s role as an instrument of popular emancipation. The overall effect is one of fervent patriotism and unwavering commitment to a revolutionary cause, presented through a highly stylized and emotionally charged visual narrative.