The USSR is the country of the world's largest socialist agriculture. (D. Moore, S. Senkin) Soviet Posters (1917-1941)

The composition presents a carefully constructed visual narrative centered on themes of agricultural prosperity and ideological authority within a socialist state. The layout is rigidly structured, employing a hierarchical arrangement that emphasizes certain figures and concepts over others.
At the apex of the image reside portraits of two prominent male figures. On the left, a man with a dense beard gazes directly forward, his expression conveying determination and resolve. To his right, another man, characterized by a stern countenance and sharply defined features, is similarly positioned. These portraits are framed by rectangular blocks containing text, presumably excerpts from official decrees or pronouncements – likely related to land ownership and agricultural policy. The inclusion of these textual elements serves to legitimize the depicted figures and reinforce their authority through association with formal legal documents.
Below the portraits, a stylized depiction of a rural building is rendered in vibrant red, its form simplified into geometric shapes. A document, labeled Decree on Land, is partially visible within this architectural setting, further solidifying the connection between land reform and official policy.
The lower portion of the image shifts to a more representational style. Here we see a group of young people gathered around a centrally placed document bearing an elaborate seal and Cyrillic text – State Act on Perpetual Land Use by Collective Farms. The individuals, predominantly male, are depicted with expressions of earnestness and optimism, suggesting their enthusiastic participation in the collective agricultural system. They appear to be marching or progressing forward, symbolizing advancement and progress under this new order. Their youthful faces and unified posture contribute to a sense of hope and generational continuity within the socialist project.
The overall color palette is dominated by red, white, and black – colors strongly associated with revolutionary movements and socialist ideology. The bold typography and graphic style are characteristic of Soviet propaganda art, designed for mass dissemination and intended to inspire confidence and loyalty among the populace.
Subtly embedded within this seemingly straightforward depiction are layers of ideological messaging. The emphasis on land ownership and collective farming underscores the state’s control over agricultural resources and its commitment to a socialist economic model. The portraits of the prominent men serve as constant reminders of leadership and authority, while the youthful figures represent the future generation committed to upholding these ideals. The composition functions not merely as a depiction of reality but as an idealized representation intended to promote a specific political agenda.