Soviet Posters – Stop! Night Panel. (Unknown artist)
1929
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The architecture surrounding them is simplified into geometric blocks, suggesting an urban landscape rendered in a constructivist aesthetic. Large, circular green forms are integrated into the background, possibly representing lamps or stylized windows, adding to the surreal quality of the scene. A crowd of figures, depicted with minimal detail and uniform posture, populate the lower right corner, seemingly observing the interaction between the two central characters. Their anonymity reinforces their role as witnesses rather than active participants.
The bold typography at the top – a commanding STOP! – immediately establishes the paintings thematic focus on restriction or prohibition. The text block in the lower left corner contains what appears to be poetry, its presence adding another layer of complexity and potentially offering commentary on the events unfolding within the visual field.
Several subtexts emerge from this arrangement. The red uniform suggests authority, possibly representing a state apparatus or law enforcement. The woman’s descent could symbolize a departure from societal norms or an attempt at escape. The act of being stopped implies a disruption of individual agency and freedom. The stylized rendering and the presence of the crowd contribute to a sense of detachment and observation, as if the scene is presented as a cautionary tale or a symbolic representation of social control within a rapidly modernizing society.
The overall effect is one of tension and unease, prompting reflection on themes of power, restriction, and individual liberty in an urban environment.