Soviet Posters – All-Russian agricultural and handicraft industry exhibition. (Lebedev I., Fidman A.)
1923
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Below this central figure, two male figures are positioned, seemingly supporting or anchoring her movement. One is clad in dark clothing, his posture suggesting strength and stability. The other, partially hidden, seems to offer support from behind. Their presence contributes to the overall impression of collective effort and progress.
The text, rendered in a bold Cyrillic script, occupies a prominent position within the composition. It appears to announce an event or exhibition related to agriculture and handicrafts. Below this central textual element, smaller lettering indicates a connection with sport and leisure activities. The placement suggests that these elements are integral components of the larger event being promoted.
The artist employed a limited palette, relying heavily on red, black, and ochre to create a sense of urgency and visual impact. The use of strong contrasts enhances the dynamism of the scene and draws attention to key figures and textual information.
Subtly embedded within this seemingly straightforward depiction are layers of meaning related to post-revolutionary Russia. The female figure, elevated and triumphant, can be interpreted as an allegorical representation of progress, prosperity, or perhaps even a new era for the nation. Her gesture – the raising of the banner – suggests aspiration and forward movement. The inclusion of agricultural and handicraft themes underscores the importance of these sectors in rebuilding the country after years of conflict. The reference to sport hints at a broader effort to promote physical well-being and national unity.
The overall effect is one of optimism and collective endeavor, characteristic of Soviet propaganda aimed at fostering a sense of shared purpose and celebrating the achievements of the new regime.