Luca Signorelli – Deposition from the Cross
1502. 270 x 240
Location: Diocesan Museum (Museo Diocesano), Cortona.
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Several individuals are actively involved in lowering him from the elevated platform. One man, clad in crimson robes, supports the figure’s upper torso while another, younger individual with a beard, gently cradles his legs. A woman, draped in blue and gold, leans over the body, her expression conveying deep sorrow. To her right, a veiled woman appears to be weeping openly, while others stand nearby, their faces etched with anguish or quiet contemplation.
The artist has created a sense of depth through the landscape receding into the background. Here we see a distant view of what seems to be a hillside populated by additional figures and structures – likely representing the site of the initial event leading to this scene. The inclusion of these smaller, more distant elements contributes to the narrative’s scope, suggesting a larger context for the immediate tragedy unfolding in the foreground.
The color palette is dominated by rich reds, blues, and golds, which lend an air of solemnity and reverence to the subject matter. Light falls unevenly across the scene, highlighting certain figures while casting others into shadow, further emphasizing the emotional weight of the moment. The careful arrangement of drapery adds volume and texture to the composition, enhancing the realism of the portrayal.
At the lower left corner, a hammer rests beside a skull – potent symbols often associated with mortality and repentance. This detail subtly introduces themes of sacrifice and redemption into the narrative.
The horizontal band at the bottom depicts a series of smaller scenes, likely illustrating a related story or cycle. The inclusion of these vignettes suggests that this is not an isolated event but part of a larger sequence of events.
Overall, the painting conveys a powerful sense of loss and piety, inviting viewers to contemplate themes of suffering, sacrifice, and faith.