Madonna surrounded by patron saints of the city of Cortona Luca Signorelli (c.1445-1523)

The circular composition presents a central female figure, presumably a Madonna, seated and holding an infant. She is enveloped in a dark blue mantle that dominates the visual field, drawing immediate attention to her presence. The arrangement of figures around her suggests a hierarchical structure, with several male saints positioned on either side.
To the left, a warrior saint stands in full armor, his posture conveying strength and vigilance. He holds a long spear pointed downwards towards a chaotic scene at the base of the composition. This lower area is populated by numerous figures, seemingly defeated or subdued, clustered around what appears to be a monstrous figure with reptilian features. The depiction of this group evokes themes of vanquishment and triumph over adversity.
On the right side, another male saint gestures towards a distant cityscape visible through an opening in the landscape. He holds a staff, a common attribute signifying authority or guidance. His gaze directs the viewers attention to the urban backdrop, implying a connection between the divine figures and the earthly realm of Cortona.
A third figure, positioned closer to the Madonna, holds a set of scales. This object introduces an element of judgment or balance into the scene, potentially symbolizing the weighing of souls or the measurement of virtue. The infant held by the Madonna gazes directly at the viewer, establishing a direct connection and inviting contemplation.
The artist’s use of light is significant; it illuminates the faces and garments of the saints, emphasizing their importance while casting the lower figures in shadow, reinforcing the narrative of victory over evil. The landscape background, rendered with meticulous detail, provides depth and context to the scene. The overall effect is one of solemnity and reverence, suggesting a protective role for these divine patrons over the city they represent.
The circular format itself contributes to the painting’s symbolic weight, evoking notions of wholeness, eternity, and divine perfection.