часть 1 - Russian and soviet artists Русские и советские художники – Парсуна князя Ивана Борисовича Репнина 181х128 см
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Here we see an elaborate costume: a sable fur mantle draped over his shoulders, fastened at the chest with decorative closures that suggest military or courtly significance. Beneath this, he wears what seems to be a tunic or robe of pale grey fabric, secured with wide bands across his hips. The sleeves are short, revealing muscular arms and legs clad in hose. His footwear consists of simple leather slippers, adding an unexpected element of informality to the otherwise grand presentation.
A long staff is held in his right hand, providing a vertical counterpoint to the horizontal lines of his garments. A sword hangs at his side, further reinforcing associations with authority and martial prowess. The head is framed by a full beard, meticulously rendered, which contributes to an impression of age and gravitas. The hair visible above the beard appears dark and neatly trimmed.
Behind him, partially obscuring the background, are heavy drapes in shades of green and red, suggesting a formal setting – perhaps a palace or ceremonial hall. A large, crimson object rests on what seems to be a draped table; its form is indistinct but it could represent a helmet or some other symbolic item.
The painting’s subtexts revolve around the construction of identity and power. The unusual combination of regal finery and seemingly casual elements – the slippers, the bare legs – creates an intriguing ambiguity. It suggests a deliberate attempt to portray not just rank, but also personality; perhaps a desire to appear both powerful and approachable. The beard, a common symbol of wisdom and authority in historical portraiture, reinforces this impression. The staff could signify leadership or pilgrimage, while the sword denotes military strength.
The dark background serves to isolate the figure, drawing attention solely to him and his elaborate costume. This isolation also contributes to an atmosphere of formality and solemnity, suggesting a man accustomed to ceremony and responsibility. Overall, the work conveys a sense of carefully constructed persona – a deliberate presentation of self designed to project authority and perhaps even challenge conventional notions of nobility.