часть 4 -- European art Европейская живопись – Marcel Dyf Village of Kerjouano France 11873 2426
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The artist employed a palette largely composed of warm earth tones – ochres, yellows, and browns – to depict the field, creating a sense of abundance and harvest. The brushstrokes are visible and energetic, contributing to the textural quality of the grain and suggesting movement within it, as if stirred by a gentle breeze. This impasto technique is also evident in the rendering of the sky, where broad strokes of blue and white delineate billowing clouds.
The village itself appears somewhat distant and muted in color, its buildings rendered with simplified forms and a limited range of whites, grays, and pale browns. A church steeple rises above the rooftops, acting as a focal point within the settlement, though it is not particularly emphasized. The arrangement of structures suggests an organic growth pattern rather than planned urban design.
The composition directs attention towards the horizon line, where the village merges with the sky. This creates a sense of depth and vastness, emphasizing the scale of the landscape. The light appears to be diffused, suggesting either early morning or late afternoon hours, casting soft shadows across the field.
Subtly, there is an impression of quietude and isolation. The absence of human figures reinforces this feeling, lending the scene a contemplative quality. It evokes a sense of timelessness, hinting at a traditional way of life deeply connected to the land. The painting’s overall effect is one of pastoral serenity, capturing a moment of stillness within a rural environment.