Maurice MEYNAERT Still life of flowers 32122 617 часть 4 -- European art Европейская живопись

The composition presents a domestic interior scene centered around a still life arrangement. A highly reflective surface dominates the foreground, acting as a stage for the objects displayed upon it. The artist has employed a dark, glossy finish that amplifies the light and creates an illusion of depth through pronounced reflections. These reflections distort and multiply the forms, adding complexity to the visual field.
Arranged on this polished surface are several vases containing floral arrangements. A large, white vase holds a cluster of delicate blossoms, predominantly white, which appear almost luminous against the darker background. To its right stands a taller, cylindrical vessel with a blue glaze, while closer to the viewer sits a smaller container holding a bouquet of pink and yellow flowers. The arrangement is further complemented by a red cloth draped across the surface, adding a vibrant accent color that contrasts with the cool tones of the ceramics. A silver-colored object, possibly a tea caddy or similar decorative item, stands near the edge of the table.
Behind this still life, a circular mirror hangs on the wall, its gilded frame echoing the ornate pattern of the wallpaper. The reflection in the mirror reveals more floral arrangements and hints at an expanded space beyond the immediate view. This use of a mirror introduces a sense of ambiguity; it simultaneously expands the scene and creates a layered perspective that challenges the viewers perception of depth.
The wallpaper itself is rendered with loose, expressive brushstrokes, suggesting a textured surface and contributing to the overall impression of visual richness. The color palette leans towards warm earth tones – browns, golds, and ochres – which create a sense of intimacy and warmth.
Subtly, the painting explores themes of domesticity and contemplation. The careful arrangement of objects suggests an intentional act of creation, while the reflective surfaces invite introspection. The presence of flowers, symbols of beauty and transience, introduces a melancholic undertone, hinting at the fleeting nature of time and existence. The mirror’s reflection could be interpreted as representing a self-awareness or a contemplation on the passage of time within this enclosed space.