#17001 Monica Ozamiz Fortis

The composition presents a fragmented landscape rendered in a predominantly abstract style. A dense arrangement of geometric shapes – triangles, rectangles, and trapezoids – dominates the visual field, creating a sense of fractured perspective and spatial ambiguity. The color palette is intensely saturated, revolving around shades of red, purple, orange, and yellow, with occasional insertions of grey and muted pink.
The artist employed a limited range of tonal values within each hue, which contributes to the overall flatness of the image. Theres little evidence of traditional modeling or shading; instead, shapes appear as distinct planes abutting one another. This approach emphasizes the two-dimensionality of the canvas and reinforces the abstract nature of the scene.
The arrangement of these forms suggests a terrain – perhaps hills or mountains – but any recognizable naturalistic features are deliberately obscured by the geometric fragmentation. The overlapping shapes create a complex interplay of positive and negative space, making it difficult to discern a clear foreground or background. This lack of depth contributes to a feeling of disorientation and visual tension.
The intensity of the colors evokes a sense of emotional energy – perhaps passion, excitement, or even anxiety. The sharp angles and fractured forms could be interpreted as representing disruption, conflict, or a breakdown of order. Alternatively, they might symbolize a subjective perception of reality, filtered through an individuals unique perspective. The absence of any human figures or recognizable objects invites viewers to project their own meanings onto the work, fostering a personal and contemplative experience.
The signature in the lower right corner is rendered in a script that appears hurried and somewhat illegible, further contributing to the overall sense of immediacy and spontaneity within the painting.