Luigi Crosio – The Harem
1901. oil on canvas
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The setting suggests an opulent domestic space, likely within a wealthy household. The architecture features Moorish or Ottoman influences, characterized by arches, columns, and intricate detailing. A richly patterned carpet defines the foreground area where the performance takes place, contrasting with the tiled floor visible elsewhere. Beyond the immediate group, a vista of buildings and vegetation stretches into the distance under a bright sky.
The women present are adorned in elaborate costumes, indicative of their status or roles within this environment. Their expressions range from attentive observation to detached amusement, contributing to an atmosphere of leisurely indulgence. The lighting is soft and diffused, creating a sense of warmth and intimacy while simultaneously highlighting the textures of the fabrics and architectural elements.
Subtly embedded within the scene are implications about power dynamics and cultural representation. The dancer’s position as the focal point suggests entertainment provided for an unseen audience, potentially male figures residing within the building beyond the terrace. The depiction of women in this context, while seemingly celebratory, may also reflect Orientalist tropes prevalent during the period when the work was created – a tendency to romanticize and exoticize Eastern cultures through a Western lens. The overall impression is one of privilege, spectacle, and a carefully constructed image of an exotic locale, likely intended to appeal to a European audience fascinated by the perceived mysteries of the East.