Unknown artist – Twee zijluiken van een altaarstuk met de besnijdenis (links) en de aanbidding der herders (rechts), 1570 Rijksmuseum: part 2

The diptych presents two distinct scenes, united by a shared compositional structure and a consistent palette dominated by earthy tones punctuated by vibrant reds and blues. The left panel depicts a solemn ritual taking place within what appears to be a richly adorned chamber. A central table serves as the focal point, upon which lies an infant. Surrounding this scene are several figures, some gesturing towards the child with reverence, others observing from a distance. A curtain hangs dramatically behind the table, its heavy folds contributing to the sense of grandeur and enclosure. The lighting is theatrical, highlighting key individuals while casting others in shadow, creating depth and emphasizing the solemnity of the occasion. A small, caged bird sits near the foreground, an element that introduces a note of potential symbolism – perhaps representing captivity or freedom, depending on interpretation.
The right panel shifts to a more rustic setting, portraying a gathering of figures before what seems to be a humble dwelling. A radiant figure with wings hovers above, bathed in light emanating from behind the building. The central grouping includes a woman cradling an infant, surrounded by individuals who kneel or bow in apparent adoration. A man with a weathered face and beard stands slightly apart, his posture suggesting contemplation rather than active participation. The landscape visible through the doorway is sparsely rendered, emphasizing the focus on the human drama unfolding within the immediate foreground.
A recurring motif across both panels is the use of gesture to convey emotion and narrative. The outstretched hands, bowed heads, and averted gazes all contribute to a sense of reverence and awe. The consistent arrangement of figures – a central figure surrounded by observers – suggests a hierarchical structure and reinforces the importance of the event being depicted.
Subtleties in detail offer further layers of interpretation. The clothing worn by the individuals suggests varying degrees of status and wealth, hinting at social dynamics within the scene. The presence of candles in the left panel signifies ritualistic significance, while the rustic setting of the right panel underscores a sense of humility and divine grace. The contrast between the opulent interior on the left and the simple exterior on the right may represent a juxtaposition of earthly power and spiritual purity. Ultimately, the diptych invites contemplation on themes of faith, reverence, and the complexities of human interaction within a sacred context.