Rijksmuseum: part 2 – Lelienbergh, Cornelis -- Stilleven met specht en snippen, 1655
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The birds rest upon a roughly hewn wooden plank, which itself sits atop a darker surface – likely a table or ledge – indicated by the subtle reflections suggesting a polished finish. The lighting is diffused and directional, originating from an unseen source above and to the left, casting shadows that accentuate the three-dimensionality of the objects and contribute to the painting’s overall mood.
The artists attention to detail extends beyond the birds themselves; one can discern the individual feathers, the subtle sheen on the skin, and the texture of the wood. This level of realism was characteristic of Dutch still life paintings from the mid-17th century. The subdued color scheme – primarily browns, greys, and blacks – lends a sense of gravity to the scene, avoiding any overt display of vibrancy or exuberance.
Beyond the straightforward depiction of hunted game, the painting carries potential subtexts related to themes of mortality, abundance, and the transience of life. The presence of dead birds evokes contemplation on the cycle of nature and humanitys role within it. The careful arrangement and presentation suggest a celebration of the hunt and the bounty it provides, but also implicitly acknowledge the fragility and impermanence of existence. The overall effect is one of quiet observation and understated elegance, characteristic of the genre’s exploration of both material wealth and philosophical reflection.