Schellinks, Willem – Het verbranden van de Engelse vloot bij Chatham, juni 1667, tijdens de Tweede Engelse Zeeoorlog (1665-1667), 1667-1678 Rijksmuseum: part 2

The canvas presents a panoramic view of a naval engagement unfolding in a broad estuary or river mouth. A significant number of ships are visible, densely packed and engaged in active conflict. The scene is dominated by billowing plumes of smoke that obscure portions of the water and sky, creating an atmosphere of chaos and destruction.
On the left side of the composition, a fortified structure appears to be under attack, with flames erupting from its buildings. Several vessels are positioned close to this shore, seemingly involved in the assault or providing support. The right side mirrors this activity, displaying similar fires and ships engaged in combat. The central portion of the scene is filled with a multitude of warships, their sails furled or damaged, maneuvering amidst the smoke and fire. Flags bearing distinctive emblems are visible atop several vessels, suggesting differing allegiances within the conflict.
The artist has employed a muted palette, primarily utilizing shades of grey, brown, and ochre to depict the water, land, and ships. This restrained color scheme contributes to the somber mood and emphasizes the scale of the destruction. The sky is overcast with heavy clouds, further reinforcing the sense of foreboding and turmoil.
The composition’s breadth suggests a deliberate attempt to convey the magnitude of the event – a large-scale naval operation with significant consequences. The inclusion of the fortified structure implies a land component to the conflict, suggesting a coordinated attack rather than solely a maritime battle. The dense arrangement of ships and the pervasive smoke create a sense of claustrophobia and disorientation, immersing the viewer in the intensity of the fighting.
Subtly, the painting conveys themes of national pride and military prowess. The depiction of the enemy fleet being targeted and destroyed likely served as propaganda, intended to bolster morale within the nation that commissioned the work. The artist’s focus on the destruction and chaos also hints at the human cost of warfare – the loss of life and devastation left in its wake.