Rijksmuseum: part 2 – Veen, Balthasar van der -- Gezicht op de stad Haarlem over het Spaarne bij de Eendjespoort, 1650-1659
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The gate itself is a prominent feature, constructed of brick and topped with a distinctive, steeply pitched roof. Its presence underscores the city’s strategic importance and its need for protection. A drawbridge extends from this gate, spanning the waterway and connecting it to the opposite bank. This bridge is occupied by several figures, suggesting ongoing activity and movement within the urban environment.
The water reflects the buildings and sky above, creating a sense of depth and mirroring the architectural details with subtle distortions characteristic of reflections. The artist has rendered the surface of the water with careful attention to light and shadow, conveying a feeling of stillness punctuated by ripples. A small group of ducks is visible near the foreground, adding a touch of naturalism to the scene.
The sky occupies a significant portion of the canvas, filled with billowing clouds that suggest an impending change in weather. The muted palette – predominantly browns, grays, and ochres – contributes to a somber yet dignified atmosphere. Light falls unevenly across the scene, highlighting certain areas while leaving others in shadow, which enhances the sense of depth and realism.
Beyond the immediate foreground, the cityscape extends into the distance, with buildings diminishing in size and detail as they recede from view. The artist’s rendering of these distant structures conveys a sense of urban density and complexity. The overall impression is one of a prosperous and well-defended city, captured at a moment of quiet observation. Theres an underlying feeling of stability and order, despite the potential for atmospheric disturbance suggested by the sky.