Rijksmuseum: part 2 – Jongh, Ludolf de -- De vossenjacht, 1650-1679
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist employed a muted palette dominated by earthy tones – browns, greens, and ochres – which contribute to an atmosphere of naturalism and realism. The light source appears to originate from the left side of the scene, casting shadows and highlighting certain areas, notably the dogs’ coats and the foliage on the trees. This lighting creates depth within the landscape, guiding the viewers eye towards the background where a distant horizon line is visible.
The arrangement of figures suggests a hierarchical structure; those on horseback are positioned slightly higher than the figure on foot, implying a distinction in status or role within the hunting party. The inclusion of several dogs, each with distinct markings and expressions, adds dynamism to the scene. Their varied poses – some sniffing the ground, others barking, one appearing to be leaping forward – convey a sense of urgency and excitement associated with the hunt.
Beyond the straightforward depiction of a sporting activity, the painting hints at broader subtexts related to social order and human interaction with nature. The presence of well-dressed figures on horseback suggests an aristocratic or affluent class engaged in leisure activities. The landscape itself is rendered as a backdrop for this display, implying a sense of dominion over the natural world.
The fox, though unseen, functions as a crucial element within the narrative. Its absence allows the viewer to focus on the pursuit and the anticipation of its capture, transforming the scene into a symbolic representation of the chase – perhaps alluding to broader themes of ambition, control, or the relentless pursuit of elusive goals. The overall impression is one of controlled chaos, where human agency intersects with the wildness of nature in a carefully orchestrated display.