Maratti, Carlo – De evangelist Johannes op Patmos, 1680-1720 Rijksmuseum: part 2

The composition presents a figure seated on a rocky outcrop, positioned centrally within the frame. He is draped in a vibrant red cloak that contrasts sharply with his green tunic and long, flowing hair. His gaze is directed upwards, towards a luminous presence suspended amidst swirling clouds. In his raised hand, he holds what appears to be a writing instrument, poised as if capturing the vision before him.
To his right, two cherubic figures are depicted; one stands attentively, holding a small vessel, while the other reclines languidly on the rock, seemingly absorbed in contemplation. A beast with feathered wings lies at the base of the rocks, near scattered books and scrolls, adding an element of symbolic complexity to the scene.
The upper portion of the painting is dominated by a celestial apparition – a figure clothed in white, radiating light. This individual appears to be descending from the heavens, surrounded by billowing clouds and what seem to be serpentine forms that emanate from their feet. The landscape behind them suggests a distant horizon with trees silhouetted against a pale sky.
The artist’s use of chiaroscuro is notable; strong contrasts between light and shadow emphasize the figures physicality and direct attention towards the divine vision. The red cloak serves as a focal point, drawing the eye and highlighting the individual’s role as an intermediary between the earthly and celestial realms.
Subtleties within the imagery suggest themes of revelation and transcription. The act of writing implies the recording of sacred knowledge, while the presence of the beast could symbolize temptation or the forces that seek to obstruct divine truth. The cherubic figures introduce a sense of innocence and spiritual assistance. The overall effect is one of profound religious experience, capturing a moment of intense communication between the human and the divine.