Courbet, Gustave – Gezicht in het bos van Fontainebleau, 1855 Rijksmuseum: part 2

The canvas presents a densely wooded landscape, dominated by shades of green and brown. A body of water, likely a stream or small river, occupies much of the foreground, its surface reflecting the surrounding foliage in muted tones. The waters edge is overgrown with vegetation, blurring the distinction between land and water.
A tall, slender birch tree stands prominently on the left side, its pale bark contrasting sharply with the darker hues of the forest. Behind it, a rocky outcrop juts out from the hillside, partially obscured by thick foliage. The artist has rendered this rock formation with a rough texture, suggesting age and permanence. Further into the distance, the trees become increasingly indistinct, fading into a hazy background that hints at greater depth within the woodland.
A single deer is positioned on the right side of the composition, near the waters edge. Its presence introduces an element of wildlife and adds to the sense of secluded naturalness. The animal’s posture suggests alertness, as if it has been disturbed by the viewer’s gaze.
The painting conveys a feeling of quiet solitude and immersion in nature. There is a deliberate lack of human intervention or architectural elements; the focus remains entirely on the untamed wilderness. The subdued color palette reinforces this sense of tranquility, while the dense vegetation creates an atmosphere of enclosure and mystery. One might interpret the work as a meditation on the power and beauty of the natural world, untouched by civilization. The inclusion of the deer could be seen as symbolic of freedom and wildness, further emphasizing the painting’s reverence for nature.