Cuylenburg, Cornelis van (II) – Allegorie op de triomftocht van de prins van Oranje, de latere koning Willem II, als held van Waterloo, 1815, 1815 Rijksmuseum: part 2

The composition presents a grand spectacle, seemingly commemorating a significant military victory. Here we observe a procession moving through what appears to be an idealized classical cityscape, replete with imposing columns and architectural elements reminiscent of Roman or Greek structures. The central figure, mounted on a white horse and adorned in regal attire, commands immediate attention. He is surrounded by attendants and soldiers, all engaged in expressions of jubilation and reverence.
Above the procession, a celestial group – putti and winged figures – descends from the heavens, bearing what appears to be a crown and other symbols of authority. A female allegorical figure, likely representing Victory or Liberty, stands prominently near an archway, further reinforcing the celebratory nature of the scene. The presence of these divine beings elevates the event beyond mere military triumph, suggesting a divinely sanctioned victory and legitimizing the ruler’s power.
The foreground is populated by figures interacting with the procession. Some offer gifts – fruits, flowers – while others appear to be showering the central figure with petals. A soldier on horseback, positioned towards the right edge of the canvas, seems to be actively participating in the celebration, his posture conveying a sense of enthusiastic involvement. The color palette leans toward warm tones – golds, reds, and browns – which contribute to the overall impression of grandeur and festivity.
Subtly embedded within this celebratory display are layers of meaning beyond the immediate depiction of victory. The deliberate invocation of classical imagery suggests an attempt to associate the ruler with the virtues and authority of ancient empires – a common strategy for legitimizing contemporary power structures. The allegorical figures, particularly the female personification of Victory or Liberty, imply that the triumph represents not just military success but also a broader ideological victory – perhaps signifying freedom or liberation from oppression.
The inclusion of diverse individuals within the crowd – soldiers, civilians, and those offering gifts – underscores the collective nature of this victory, suggesting it is a moment shared by all. The overall effect is one of carefully constructed propaganda, designed to solidify the ruler’s image as a heroic figure blessed by divine favor and supported by his people.