Moor, Carel de (II) – De hengelaar, 1700-1738 Rijksmuseum: part 2

Here we see a scene of rural leisure and labor intertwined. A young man kneels at the waters edge, intently focused on fishing; his bare feet suggest immediacy and connection with the natural world. He holds a line taut, seemingly engaged in an active pursuit, yet there’s also a stillness to his posture that hints at patience and observation. Beside him, resting upon what appears to be a makeshift bridge or platform, stand two figures – one male, one female – who seem less concerned with the fishing itself. The man plays a flute, creating a pastoral atmosphere, while the woman leans against the structure, her gaze directed towards the distant landscape.
The composition is carefully balanced between foreground activity and background detail. The water’s surface reflects the overcast sky, contributing to a muted color palette dominated by grays, browns, and greens. This subdued tonality reinforces the sense of quietude and introspection. A cow grazes in the distance, further emphasizing the rural setting and suggesting a simple, agrarian lifestyle.
The placement of the figures is significant. The kneeling man’s position draws the viewers eye into the scene, while the two standing figures create a visual barrier between the foreground and background, framing the view of the distant town or village. This separation might symbolize a contrast between the immediacy of rural life and the more structured existence represented by the settlement in the distance.
The presence of the basket near the kneeling man suggests he is not merely fishing for sustenance but also gathering his catch. The overall impression is one of a harmonious coexistence between human activity and nature, where work and recreation are seamlessly blended. Theres an underlying sense of tranquility, yet the focused attention of the fisherman hints at a deeper engagement with the natural world – a quiet contemplation that transcends mere pastime.