Martin Rico Y Ortega – Canal in Venice
1880s. 76×46 cm
Location: Art Institute, Chicago.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
On either side of the canal rise buildings characteristic of Venice: aged facades in muted tones of ochre, beige, and terracotta. These structures are not pristine; their surfaces display signs of weathering – patches of discoloration, crumbling plaster, and a general sense of accumulated history. A dense growth of foliage spills over a wall on the left, softening the rigid geometry of the buildings and introducing an element of natural vitality into the urban setting. The upper portion of the composition is defined by a vibrant sky, punctuated with billowing clouds that suggest movement and atmospheric depth.
The artist’s brushwork is loose and impressionistic; details are suggested rather than meticulously rendered. This technique contributes to a sense of immediacy and captures the fleeting qualities of light and atmosphere. The play of light on the waters surface creates a dynamic visual texture, while the muted palette evokes a feeling of quiet contemplation.
Beyond the straightforward depiction of a Venetian canal scene, the painting hints at subtexts concerning time and memory. The aged buildings and weathered surfaces suggest the passage of years and the enduring nature of Venice’s architectural heritage. The solitary gondola and its rower imply a sense of solitude and introspection, inviting viewers to consider their own relationship with place and history. The overall effect is one of serene beauty tinged with melancholy, capturing a moment suspended in time within this unique urban landscape.