Vereshchagin Vasily (Vasilyevich) – Before the attack. Plevna 900 Classic russian paintings

The composition presents a panoramic view of a military formation poised for imminent action. A large group of soldiers, uniformly clad in dark blue and black uniforms with distinctive headwear, occupies the foreground. They are arranged in dense ranks, their postures suggesting a mixture of apprehension and grim determination. The artist has rendered them as figures largely devoid of individual character; they function more as a collective mass than as distinct personalities.

The immediate environment is dominated by a field of tall, dry grass, punctuated by a barbed wire fence that stretches across the middle ground. This barrier serves not only to define spatial depth but also introduces an element of visual obstruction and potential peril. A hazy, overcast sky fills the background, contributing to a sense of oppressive atmosphere and foreboding. The light is diffused, lacking strong contrasts, which further emphasizes the somber mood.

The artist’s brushwork is loose and expressive, particularly noticeable in the depiction of the grass and the sky. This technique lends a sense of immediacy and dynamism to the scene, as if capturing a fleeting moment before the eruption of violence. The figures themselves are rendered with greater precision, highlighting their rigid formation and military bearing.

Subtleties within the painting suggest a critique of warfare beyond a simple depiction of battle. The sheer number of soldiers, arranged in such a tightly packed configuration, implies a disregard for individual life. Their uniformity diminishes any sense of heroism or individuality; they are instruments of war rather than celebrated warriors. The barbed wire fence acts as a visual metaphor for the obstacles and futility inherent in conflict. It is not merely a physical barrier but also represents the entrapment and suffering that accompany military campaigns.

The absence of visible casualties, while focusing on the moment before action, amplifies the sense of impending doom. The viewer is left to anticipate the inevitable bloodshed, making the scene all the more unsettling. The overall effect is one of profound melancholy and a questioning of the glorification of war.