Portrait of Elizabeth Holte (nee King) Cornelius Johnson

Here we observe a portrait depicting a woman in what appears to be mid-17th century attire. The composition is structured around a three-quarter view, presenting her from the chest upwards against a dark, almost entirely black background. This backdrop serves to isolate and emphasize the subject, drawing attention directly to her features and clothing.
The artist has rendered the woman with a fair complexion, accentuated by subtle shading that suggests volume and form. Her expression is reserved; she gazes forward with an air of composure, though not necessarily warmth. The eyes are particularly noteworthy – they possess a directness that engages the viewer while maintaining a certain distance.
Her hair is styled in elaborate curls, cascading around her shoulders and framing her face. This hairstyle, along with the rich fabric of her gown, indicates a position of social standing and wealth. The dress itself is dark, likely black or a deep brown, with a low neckline adorned by a string of pearls – a common symbol of purity and status during this period. The folds of the fabric are meticulously detailed, demonstrating the artist’s skill in rendering texture and light.
A small inscription appears in the upper left corner, providing identifying information about the sitter. Its presence suggests that the portrait was intended to serve as a record of her identity for posterity, reinforcing her place within a family lineage.
Subtly, the painting conveys an impression of quiet dignity and restrained emotion. The darkness surrounding the figure contributes to this sense of solemnity, hinting at underlying complexities or perhaps even a degree of melancholy. While the pearls signify wealth and virtue, the overall tone is less celebratory than it might be in a more overtly flattering portrait. It suggests a woman who embodies not only status but also a certain gravity and self-possession.