Marvin Mattelson – IS4 068 Marvin Mattelson 01 (Things are Looking Up)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The faces are uniformly male, exhibiting expressions ranging from anguish to silent screams. Their eyes are wide open, conveying a sense of shock and distress. They are positioned in a seemingly random pattern across the floor, their proximity suggesting a shared fate or experience. The uniformity of their features contributes to an unsettling effect, diminishing individual identity within a collective suffering.
The tiled floor itself is rendered with meticulous detail, its geometric precision contrasting sharply with the organic forms of the faces and the smooth curves of the legs. This contrast reinforces the sense of detachment and artificiality that pervades the scene. The color palette is subdued, primarily consisting of muted blues and grays for the background and floor, which intensifies the visual impact of the red shoes and the pale complexions of the heads.
The subtexts within this work are layered and open to interpretation. One possible reading suggests a commentary on power dynamics – the descending legs could symbolize authority or dominance trampling upon individual expression or agency. The red shoes, as a symbol of femininity and status, might further underscore this theme. Alternatively, the scene may explore themes of societal oppression, where the faces represent marginalized individuals silenced or suppressed by an unseen force.
The absence of context surrounding these figures – no bodies, no narrative framework – amplifies their vulnerability and intensifies the viewers discomfort. The painting evokes a sense of surreal horror, prompting reflection on the fragility of human existence and the potential for cruelty within social structures.