Zinaida Serebryakova – Arab and Negro Musicians
1928
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Beside him sits another figure, characterized by darker skin tones and a more angular face. This individual holds a violin, his gaze directed towards the other musician, implying an active collaboration in their musical endeavor. He too is draped in white robes and wears a similar turban, reinforcing a visual connection between them despite differences in complexion.
The background is indistinct, rendered with muted earth tones that create a sense of enclosure and focus attention on the two musicians. A small table sits before them, upon which are placed what appear to be coins or tokens – potentially symbolic representations of payment for their performance, or perhaps simply props contributing to the scenes atmosphere.
The artist’s use of pastel lends a softness to the image, blurring sharp lines and creating an overall impression of quiet contemplation. The figures are not idealized; they possess a certain realism in their features, suggesting an attempt at portraying individuals rather than archetypes.
Subtly, the work seems to explore themes of cultural exchange and shared artistic expression. The pairing of these two men, differentiated by skin tone but united through music, hints at a potential commentary on overcoming societal divisions or celebrating diversity. However, given the historical context in which this drawing was created, it is also possible that the depiction reflects prevailing colonial attitudes towards exotic cultures – an observation requiring further contextualization to fully understand its implications. The intimacy of their proximity and shared activity suggests a complex relationship beyond simple categorization.