Portrait of Tata in costume of Harlequin Zinaida Serebryakova (1884-1967)

The pastel drawing presents a young figure seated in what appears to be a theatrical setting. The subject is dressed in a vibrant costume suggestive of a Harlequin character – a patterned tunic with diamond shapes in blue, pink, and white dominates the composition. A matching hat, adorned with similar motifs, partially obscures the forehead and frames the face.
The child’s expression is notable; it conveys a quiet seriousness that contrasts with the playful nature of the costume. The eyes are direct and observant, holding an almost melancholic quality. The lips are subtly painted in a shade of red, adding a touch of vibrancy to the otherwise muted palette. A single button is visible on the tunic, positioned centrally over the chest, drawing attention to this area.
The background is rendered with loose, gestural strokes of pastel, creating an impressionistic backdrop that suggests a stage or draped curtain. The colors are predominantly cool – blues and pinks – but warmer tones of red and brown peek through, adding depth and complexity. The artist employed a technique where the pastel layers build up texture and visual interest; the marks are visible, contributing to the drawing’s immediacy and spontaneity.
The posture is relaxed yet poised. One hand rests on what seems to be a prop – perhaps a scepter or staff – held diagonally across the lower portion of the frame. This gesture introduces an element of theatricality and suggests a role being played.
Subtly, the work explores themes of childhood, performance, and identity. The costume signifies a temporary persona, while the child’s expression hints at a deeper introspection. Theres a sense of vulnerability conveyed by the direct gaze and the somewhat somber demeanor, which contrasts with the expected exuberance associated with a Harlequin character. The drawing seems to capture a fleeting moment – a pause between performances or a quiet contemplation within the confines of a theatrical role.