Filippino Lippi – 37268
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Раскинешь руки — будет крест.
Что ж, — в нас физически заложен?
А может мозг подобье ножен
для мысли? иль важнее жест?
Раскинешь руки — будет крест.
Иль позвоночный столб основа
существования? — сурово.
В раю существованье есть?
Крест, объясняющий наш мир,
и защищающий от жути.
Помимо что ли нету сути?
Струится золотой эфир.
И как прожить, чтоб чёрный стыд
перед крестом меня не мучил?
От темноты уйти паучьей
ко свету, что всегда горит…
You cannot comment Why?
Around the crucified man are several figures engaged in various actions related to the execution. Some appear to be actively involved in securing him to the cross, their muscular bodies rendered with a degree of realism suggesting physical exertion. Others stand observing, their expressions ranging from detached curiosity to apparent indifference or even malicious satisfaction. The grouping of these onlookers creates a sense of public spectacle and underscores the communal nature of the event.
The artist has placed the scene within an urban setting, indicated by the presence of high stone walls and architectural structures in the background. These buildings are rendered with less detail than the foreground figures, suggesting their role as a backdrop rather than integral elements of the narrative. The muted color palette – dominated by earth tones and browns – contributes to the somber atmosphere and reinforces the gravity of the subject matter.
Subtleties within the composition invite deeper consideration. A figure on the right edge of the painting wears a vibrant red garment, which draws attention but also potentially symbolizes violence or sacrifice. The inclusion of various facial expressions among the observers hints at a complex range of emotions surrounding the event – not merely condemnation, but perhaps pity, fear, or even a degree of complicity.
The overall effect is one of stark realism and emotional intensity. The artist seems less concerned with glorifying the act of execution than with portraying its human cost – both for the victim and those who witness it. The painting prompts reflection on themes of suffering, power, justice, and the role of spectatorship in moments of public violence.