Jan Van Kessel – kessel3
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
A stemmed glass, partially filled with a golden liquid – likely wine or a similar beverage – dominates the upper center of the scene. The glass is adorned with citrus slices, suggesting both flavor and visual appeal. Adjacent to it sits an ornate bowl overflowing with grapes, an orange, and sprigs of flowering vines. This abundance evokes themes of prosperity and indulgence.
Below this arrangement, a small wooden table holds several oysters, their pearlescent interiors exposed. A vibrant red lobster rests near the edge of the table, its form rendered with meticulous attention to texture and color. Scattered around these delicacies are additional citrus slices and a few butterflies – one perched on the table’s surface and others seemingly suspended in mid-air.
The artists use of light is particularly noteworthy. It highlights the textures of the objects – the sheen of the oyster shells, the rough skin of the lobster, the smooth surfaces of the fruit. This careful illumination contributes to a sense of realism and tactile presence.
Beyond the purely decorative aspects, the painting carries symbolic weight. The inclusion of oysters and lobster – luxury foods historically associated with wealth and privilege – suggests an exploration of themes related to mortality and transience. Oysters, in particular, were often linked to vanitas imagery, reminding viewers of the fleeting nature of earthly pleasures. Similarly, the presence of butterflies, symbols of transformation and the souls journey, adds a layer of complexity, hinting at the ephemeral quality of life and beauty. The overall effect is one of opulent display tempered by an underlying awareness of mortality – a common motif in artistic traditions exploring the relationship between pleasure and decay.