#42407 Clarence Holbrook Carter

The composition presents a storefront window display, viewed from outside. A series of mannequin heads, each adorned with different hats and hairstyles characteristic of the early twentieth century, are arranged within the glass enclosure. The lighting is warm and diffused, creating an overall sense of artificiality and staged presentation.
The artist has employed a muted color palette dominated by ochre, brown, and pale pinks, contributing to a slightly unsettling atmosphere. The faces themselves exhibit a uniformity; while individual details distinguish each head – varying hat styles, subtle differences in makeup – they lack distinct personality or expression. This repetition suggests a standardization of beauty ideals prevalent during the period.
Within the display, two prominent signs are visible. One reads NRA accompanied by an image of an eagle and the phrase “We Do Our Part.” The other sign advertises Patsy Shoppe” with a price listed below. These elements introduce layers of subtext beyond the surface depiction of fashion. The NRA reference, particularly in conjunction with the patriotic imagery, implies a commentary on national identity and participation during a specific historical context – likely the 1930s, given the aesthetic style. It suggests an endorsement or alignment with government initiatives, potentially questioning the nature of such affiliations.
The Patsy Shoppe sign, positioned centrally within the display, introduces a note of commercialism and consumer culture. The juxtaposition of this advertisement alongside the NRA signage creates a complex interplay between national duty and personal consumption.
The window itself acts as a barrier, separating the viewer from the objects on display. This physical separation reinforces a sense of distance and observation, prompting reflection on the constructed nature of beauty, patriotism, and commerce. The artist’s choice to depict this scene through a window suggests an examination of how these concepts are presented and consumed by society.

The handwritten inscription in the upper right corner adds another layer of complexity; it appears to be a signature or marking, further emphasizing the personal perspective behind the work.