Robert Hills – The Farmyard When the Days Work is Done
c.1828 w/c on paper
Location: Private Collection
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A group of figures occupies the foreground, positioned between the animals and the viewer. Several individuals, seemingly farmworkers and their families, gather near a horse-drawn cart. The attire suggests a modest social standing; clothing is practical and functional rather than decorative. A young boy in a blue jacket stands slightly apart from the adults, his posture conveying a mixture of curiosity and perhaps a touch of loneliness. A small dog accompanies the group, adding a note of domesticity to the scene.
The animals – a cluster of horses and several pigs – are positioned prominently near the left side of the composition. They appear weary after their day’s work, standing or lying down in repose. The artist has paid attention to depicting their anatomy and texture, lending them a sense of weight and presence.
Beyond the immediate farmyard activity, a wooded area is visible in the background, providing depth and suggesting a broader landscape context. The trees are rendered with looser brushstrokes, creating an atmospheric effect that contrasts with the meticulous detail given to the buildings and figures in the foreground.
Subtly, the painting conveys a sense of quiet contentment and the rhythms of rural life. It is not a depiction of hardship or toil, but rather a moment of respite after labor has ceased. The gathering of people suggests community and shared experience. The overall impression is one of stability and tradition, evoking an idealized vision of agrarian existence. There’s a certain stillness to the scene; it feels as though time has paused, allowing for a brief contemplation of the days accomplishments and the promise of rest.