Portrait of D.D. Burliuk. Study (1923) Nikolay Feshin (1881-1955)

The portrait presents a man in a close-up view, his face dominating the composition. He is positioned slightly off-center, gazing directly at the viewer with an expression that appears both contemplative and somewhat stern. The artist employed a vigorous impasto technique; thick strokes of paint are visible across the canvas, particularly evident in rendering the hair and facial features. This application lends texture and immediacy to the work, suggesting a rapid execution or a deliberate emphasis on materiality.
The color palette is restrained but effective. Earth tones – ochres, browns, and grays – predominate, creating a sense of somberness and gravitas. The flesh tones are subtly modulated, hinting at age and perhaps a certain weariness. A splash of red in the tie provides a focal point and introduces a note of vibrancy that prevents the overall effect from becoming monotonous.
The background is largely indistinct, rendered with broad strokes of white and muted colors. This lack of detail serves to isolate the figure and direct attention solely towards his face. The signature, visible in the lower left corner, appears hastily applied, further reinforcing the impression of a study or preliminary sketch rather than a finished piece.
Beyond the straightforward depiction of a man’s likeness, the painting conveys an atmosphere of introspection. The subjects gaze is unwavering, suggesting a depth of character and perhaps a burden of thought. The rough handling of paint contributes to this sense of psychological complexity; it avoids idealization and presents a raw, unvarnished portrayal. One might interpret the work as capturing not just physical appearance but also an essence of personality – a man marked by experience and possessing a quiet dignity.