Cossack with a goose (1915) Nikolay Feshin (1881-1955)

The composition presents a figure holding a bird, rendered in a loose, expressive style. The individual appears to be male, characterized by a somewhat exaggerated facial expression – a wide grin revealing teeth – and dressed in what seems to be traditional attire, predominantly earth tones with touches of red around the neck. His hair is short and disheveled, contributing to an overall impression of informality or even playful irreverence.
The bird, starkly white against the warm palette of the figure’s clothing, is held aloft, its head tilted upward as if in surprise or mild protest. The gesture suggests a degree of control on the part of the man, but also hints at a certain absurdity inherent in the situation.
The artist employed a technique that prioritizes brushwork and color over precise detail. Broad strokes of ochre, brown, and yellow dominate the canvas, creating a sense of warmth and immediacy. The background is indistinct, further emphasizing the central figure and his companion. This lack of spatial definition contributes to a flattened perspective, typical of certain modern artistic approaches.
Beyond the surface depiction, several subtexts emerge. The combination of the man’s somewhat manic expression and the incongruous pairing with the bird suggests a commentary on societal norms or expectations. It could be interpreted as a satirical portrayal of rural life, highlighting its eccentricities and contradictions. Alternatively, it might represent a more personal exploration of identity and self-presentation, where the individual embraces a sense of playful defiance. The work’s timing – the year 1915 – suggests that it may also reflect anxieties or uncertainties prevalent during a period of significant social and political upheaval. The seemingly simple scene becomes imbued with layers of meaning, inviting contemplation on themes of tradition, modernity, and the human condition.