#42104 Guillaume Cornelis van Beverloo Corneille

The composition presents a stylized figure set against a backdrop of bold, geometric forms and a vibrant color palette dominated by reds, greens, blues, and yellows. The central figure appears humanoid, though significantly abstracted; its features are simplified into essential shapes – a large, circular face with prominent eyes, a triangular nose, and a small mouth rendered as a downward curve. A pronounced brow ridge casts shadows over the eyes, lending an expression of melancholy or introspection to the subject.
The artist employed a limited range of colors in distinct blocks, creating a sense of flatness and emphasizing the two-dimensionality of the work. The figure’s body is suggested by elongated, angular shapes that extend outwards from the central face, lacking any realistic anatomical detail. These forms are outlined with dark blue lines, which further delineate the planes and contribute to the overall stylized aesthetic.
The background consists of a series of overlapping geometric shapes – circles, arcs, and rectangles – that create a sense of depth despite the painting’s generally flat appearance. The use of contrasting colors within these shapes adds visual complexity and dynamism. A large red form dominates the upper left quadrant, while a blue segment occupies the upper right corner.
The work seems to explore themes of identity and introspection through its depiction of an isolated figure. The simplification of features and the stark color contrasts suggest a deliberate attempt to strip away superficial details and focus on the essence of human emotion or experience. The overall effect is one of quiet contemplation, tinged with a sense of alienation or existential questioning. The absence of any contextual elements further reinforces this feeling of isolation, directing the viewer’s attention solely towards the figure and its internal state.