Sappho and Phaon Jacques-Louis David (1748-1825)
Jacques-Louis David – Sappho and Phaon
Edit attribution
Download full size: 2806×2463 px (1,2 Mb)
Painter: Jacques-Louis David
Location: Hermitage, St. Petersburg (Эрмитаж).
The work by the talented French artist Jacques Louis David is in oil on a rather large canvas. David is considered the founder of Neoclassicism, drawing on the writings of his ancient heritage. The work Sappho and Faon takes on the characteristics of the artist’s later work. It depicts the lovers Sappho and Faon, as well as a small Cupid handing the woman a lyre. In the image of the musical instrument and the little angel, the artist demonstrates love as the basis of creative inspiration.
Description of Jacques Louis David’s painting Sappho and Faon
The work by the talented French artist Jacques Louis David is in oil on a rather large canvas. David is considered the founder of Neoclassicism, drawing on the writings of his ancient heritage.
The work Sappho and Faon takes on the characteristics of the artist’s later work. It depicts the lovers Sappho and Faon, as well as a small Cupid handing the woman a lyre.
In the image of the musical instrument and the little angel, the artist demonstrates love as the basis of creative inspiration. Based on ancient Greek histories, Sappho was a very famous poetess who created in the genre of melodic lyricism. She was born in the lesbian city of Eres around the end of the 7th century.
In her works there was no mention of Phaon, a fisherman endowed by the goddess with infinite youth and captivating beauty. The legend, which states that Sophea threw herself from a rock into the sea because of her unrequited love for a young boy, Faon, appeared after the poetess’ life.
As a subject for his work the artist chooses the moment where Sappho sings an ode about her love for the beautiful Faon, and the lover of the poetess, who appeared at the same moment, touches her face with his hand tenderly. The poetess stops playing her lyre and hands it over to Cupid. At this moment, she is replaced by the pleasure of her lover’s love and closeness.
It is not known whether Sappho’s love for the young boatman was real or fictional. There is no historical confirmation of this event, but it inspired the artist to create this beautiful painting.
It merges the detailing of elements of ancient clothing and imagery with classical and traditional symbols of love, relationships and tender feelings. The author emphasizes the sympathy between the two trees in love and the pair of white birds on the window.
Кому понравилось
Пожалуйста, подождите
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
You need to login
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).




![Jacques-Louis David - Consecration of the Emperor Napoleon I and Coronation of the Empress Josephine]](http://cdn.gallerix.asia/j/D/2120799558/1556495761.webp)














You cannot comment Why?
Beside her stands a male figure, clad in vibrant orange robes and adorned with a laurel wreath. He holds a spear, a symbol of power and potential aggression, yet his expression conveys a mixture of concern and frustration. His hand gestures towards the woman, as if attempting to communicate or restrain her. The positioning suggests an imbalance of power, though the nature of their relationship remains ambiguous.
A winged cherub is positioned near the lower left corner, holding a lyre – an instrument associated with music, poetry, and love. Its presence introduces a layer of sentimentality and perhaps foreshadows the emotional complexities at play. A second cherub, partially obscured by the beds ornate frame, appears to be aiming a bow and arrow, hinting at themes of desire, longing, or even potential heartbreak.
The setting is carefully constructed to evoke an atmosphere of opulence and antiquity. The architecture features classical columns and drapery, creating a sense of grandeur and timelessness. A landscape visible through the open archway provides depth and perspective, contrasting with the enclosed intimacy of the scene. The floor tiles are rendered with meticulous detail, adding to the overall impression of refined taste and artistic skill.
Subtleties within the painting suggest a narrative beyond the surface depiction. The woman’s averted gaze and the mans troubled expression imply an unresolved conflict or emotional tension. The presence of Cupid suggests that love is not straightforward but rather fraught with complications, potentially involving unrequited desire or thwarted affections. The overall effect is one of restrained drama, inviting contemplation on themes of passion, power dynamics, and the complexities of human relationships within a classical framework.