Isaac Ilyich Levitan – huts. After sunset. 1899
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist placed a weathered wooden fence prominently in the left foreground, acting as a barrier between the viewer and the scene beyond. This element contributes to a feeling of separation or exclusion, hinting at a deliberate distance from the depicted community. The ground itself is rendered in dark, earthy tones, muddy and uneven, reinforcing the impression of a landscape shaped by labor and exposure to the elements.
The sky commands considerable attention. A vibrant sunset unfolds above, with hues of orange and red bleeding into a turquoise-green expanse. This dramatic coloration contrasts sharply with the somber palette of the buildings below, creating a visual tension that draws the eye upward. The clouds are painted with swirling brushwork, suggesting movement and an almost turbulent atmosphere.
The composition is framed by dark areas on the left and bottom edges, which serve to compress the space and intensify the focus on the central cluster of structures and the sky. This framing also contributes to a sense of enclosure, as if the viewer is peering into a secluded world.
Subtly, the painting evokes themes of rural life, poverty, and perhaps even isolation. The lack of human figures amplifies this feeling; we are presented with a landscape devoid of its inhabitants, prompting reflection on their absence and the quiet dignity of their existence. The sunset, while visually striking, might also be interpreted as symbolic of decline or an ending – a poignant reminder of the passage of time and the impermanence of things. The overall effect is one of melancholy beauty, capturing a fleeting moment in a world seemingly untouched by modernity.