James Ward – Self-Portrait
1830. 76×64
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The man’s attire is simple: a dark, heavy coat layered over what seems to be a white shirt. The texture of the fabric is rendered with visible brushstrokes, adding depth and realism to the depiction. A thick beard, streaked with grey, covers much of his lower face, softening some of the harsher lines but also contributing to an overall air of gravitas.
The background is dark and indistinct, a deep brown that serves to isolate the figure and direct attention solely upon him. The lack of detail in the backdrop reinforces the focus on the man’s psychological state rather than his surroundings or social context.
Here we see a deliberate avoidance of idealization; theres no attempt to present a flattering image. Instead, the artist seems interested in capturing an honest and unvarnished representation of a person marked by time and experience. The direct gaze suggests a challenge to the viewer, inviting scrutiny and perhaps even confrontation. It is not merely a likeness but a statement – a declaration of presence and self-awareness.
Subtly, there’s a sense of melancholy conveyed through the downturned corners of his mouth and the weary quality in his eyes. This could be interpreted as an expression of personal burden or a broader commentary on the human condition. The painting conveys a feeling of quiet dignity and resilience despite any implied suffering.