James Ward – Grey Arabian stallion, the property of Sir Watkin Williams-Wynn
c.1817. 99×125
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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The artist has placed the horse on a slightly elevated patch of ground, creating a visual separation from the surrounding foliage. This positioning also allows for a clear view of the animals profile, highlighting its elegant conformation. The background is characterized by an abundance of trees with thick trunks and lush foliage, painted in a manner that prioritizes atmosphere over precise botanical accuracy. A sense of depth is created through variations in color intensity; the areas further back are rendered in muted greens and browns, while those closer to the viewer display richer, more vibrant hues.
The lighting appears to be diffused, emanating from an unseen source above and slightly to the left. This soft illumination minimizes harsh shadows, contributing to a feeling of tranquility and emphasizing the horse’s inherent grace. The ground itself is uneven, covered with rocks and sparse vegetation, suggesting a natural, untamed environment.
Subtly embedded within this depiction are indications of status and ownership. The animals pristine condition and evident value suggest it belongs to someone of considerable means. The setting – a secluded woodland – implies privacy and exclusivity. It is not merely an animal portrait; it functions as a visual statement about the owner’s appreciation for beauty, refinement, and perhaps, mastery over nature. The overall effect conveys a sense of restrained power and quiet dignity, characteristic of both the subject and its patron.