Alfred Dedreux – Mr and Mrs A Mosselman and their Two Daughters
1848
Location: Museum of Petit Palais (Musée du Petit-Palais), Paris.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a man seated atop a white horse pulling a carriage, his posture relaxed yet commanding. Beside him sits a woman, elegantly attired in pale yellow, her gaze directed outward with a composed expression. Two young girls are also present within the carriage, their presence reinforcing the familial theme. A second man stands slightly apart from the carriage, dressed in orange and holding what appears to be a hunting dog on a leash; he seems to be observing the scene with an air of quiet authority. Another figure, similarly attired, is visible further back along a path receding into the trees.
The horses themselves are rendered with considerable attention to detail, their musculature and coats meticulously portrayed. A small terrier-like dog sits attentively near the carriage wheels, adding a touch of domestic charm. The background foliage is painted in broad strokes of green, creating a sense of depth and enclosure while also suggesting an expansive natural setting. Light filters through the trees, dappling the ground and illuminating certain figures more than others, contributing to the overall atmosphere of tranquility.
Subtleties within the painting hint at social standing and leisure activities. The presence of hunting dogs and the attire of the men suggest a connection to country pursuits and potentially land ownership. The carriage itself is an indicator of wealth and privilege, signifying mobility and access to refined transportation. The arrangement of the figures – the man in control of the horses, the woman observing with grace, the children present as heirs – implies established social roles within the family unit.
The scene’s stillness conveys a sense of timelessness; it is not merely a depiction of an event but rather a representation of a particular way of life, one characterized by comfort, leisure, and a connection to nature. The artist has captured a moment suspended in time, inviting contemplation on themes of family, status, and the pleasures of rural existence.