Le filatrici (1735-40). Venezia ca Rezzonico. Pietro Longhi (1701-1785)

The composition presents a domestic interior, likely a workshop or dwelling space for textile workers. Here we observe four figures engaged in various activities within this confined area. A young man sits on a stool, holding a stringed instrument – a mandolin or lute – and appears relaxed, almost detached from the scene unfolding around him. His gaze is directed slightly away from the other individuals, suggesting a contemplative state rather than active participation.
Three women occupy the remainder of the space. Two are positioned centrally, seemingly engrossed in their work as spinners. One holds a spindle aloft, her expression animated and focused on the task at hand. The second woman appears to be retrieving thread or yarn from a container she holds. Their interaction suggests a shared activity and perhaps a sense of camaraderie. A third woman sits near a hearth, also engaged in spinning, but with a more subdued demeanor. Her posture is slightly hunched, her face partially obscured by shadow, hinting at fatigue or quiet introspection.
The lighting within the room is uneven, creating areas of deep shadow that contrast sharply with patches of illumination on the figures and objects. This chiaroscuro effect draws attention to specific details – the texture of the women’s clothing, the gleam of metal tools, and the expressions on their faces. The background is sparsely detailed, consisting primarily of a stone wall and a rough-hewn wooden shelf laden with domestic implements.
Subtleties within the scene suggest more than just a depiction of everyday labor. The mans detachment from the work could be interpreted as a commentary on leisure or perhaps a critique of societal structures that allow for such disparity. The women’s expressions, ranging from focused concentration to quiet weariness, convey a sense of the repetitive and demanding nature of their craft. The overall atmosphere evokes a feeling of intimacy and realism, characteristic of genre painting aimed at portraying scenes from ordinary life. There is an underlying narrative quality; one might imagine a story unfolding within this space – a tale of labor, companionship, and perhaps quiet resilience in the face of daily toil.