Fra Angelico – San Marco altarpiece, predella - The Healing of Palladia by Saint Cosmas and Saint Damian
1438-40. 36x46
Location: National Gallery of Art, Washington.
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The right side of the painting depicts an exterior courtyard setting. Here, a woman dressed in modest purple garments extends her hand towards one of the previously mentioned men. He is now standing in the open air, his attire more vibrant – a blue and pink tunic with gold detailing – emphasizing his elevated status. The architecture here is characterized by clean lines and a sense of austerity; a small niche containing what seems to be a potted plant punctuates the upper portion of the wall.
The stark contrast between the interior’s shadowed intimacy and the exteriors bright clarity draws attention to the transition in the narrative. It suggests a moment of exchange, perhaps signifying the completion of a healing or the transfer of sustenance from divine providers to those in need. The woman’s gesture is one of offering, while the man’s posture conveys acceptance and grace.
The use of gold halos around the figures reinforces their spiritual significance, elevating them above the mundane concerns of the scene. The architectural framing serves not only as a backdrop but also as a symbolic division between the world of suffering and the realm of divine intervention. The overall effect is one of quiet piety and understated drama, conveying a sense of hope and restoration within a carefully constructed visual framework.