Hassebu and the Serpent-King Henry Justice Ford (1860-1941)

The drawing presents a scene of unsettling intimacy between a young man and a serpentine creature. Here we observe a male figure reclining on what appears to be a cushioned chaise lounge, his posture relaxed yet somewhat languid. He is partially unclothed, revealing the upper torso and limbs, suggesting vulnerability or perhaps an acceptance of exposure. His gaze is directed outward, beyond the frame, carrying a hint of detachment or appraisal.
Dominating the composition is the serpentine being, whose head descends towards the man. The creature’s form is intricately detailed, with scales meticulously rendered, conveying both power and an unsettling alienness. It appears to be resting its head on the chaise lounge alongside the man, creating a visual connection that blurs boundaries between human and non-human.
The setting seems to be an interior space, suggested by the presence of draperies and what might be a window frame visible in the background. The limited depth of field contributes to a sense of claustrophobia, intensifying the focus on the central figures. A small table with objects upon it is partially visible behind the man, adding a layer of domesticity that contrasts sharply with the fantastical nature of the encounter.
The title inscribed at the bottom – Hassebu & The Serpent-King – provides a narrative context, but the drawing itself resists easy interpretation. It evokes themes of temptation, transformation, and the potential for unsettling alliances. The man’s passive posture could be interpreted as submission or perhaps a form of negotiation with the supernatural. The serpents presence might symbolize primal instincts, hidden knowledge, or even a dangerous allure.
The artist employs a stark black-and-white palette, which enhances the dramatic contrast and emphasizes the symbolic weight of the scene. The intricate linework contributes to a sense of both detail and unease, preventing any comfortable reading of the interaction between these two figures. Overall, the drawing presents a complex narrative that invites contemplation on themes of power, vulnerability, and the ambiguous nature of connection.