Hannah does not recognise Jem Henry Justice Ford (1860-1941)

The drawing presents a scene of apparent bewilderment and disbelief. Two figures dominate the composition; one seated on a stool, the other standing before her. The woman, presumably Hannah, is depicted with a raised arm and an expression of astonishment or perhaps fear. Her mouth is open in what appears to be a gasp, and her eyes are wide, suggesting surprise or shock at the figure confronting her. She wears a patterned dress and a bonnet, indicative of a rural or domestic setting. A ball of yarn rests on her lap, hinting at a moment interrupted from a task of spinning or knitting.
The standing figure, presumably Jem, is markedly different in appearance. He possesses an elongated nose, exaggerated facial features, and what appears to be a patterned shawl draped over his shoulders. His posture conveys a hesitant offering; he gestures with one hand as if attempting explanation or reassurance. The unusual nature of his visage immediately establishes him as something other than ordinary – perhaps fantastical or otherworldly.
The setting is simple but suggestive. A wooden fence, partially obscured by foliage, forms the backdrop to Hannah’s stool. Behind her, a hanging sheet adds depth and visual interest. Above, a patterned border frames the scene, contributing to its illustrative quality. The stark black-and-white rendering emphasizes the contrast between the two figures and enhances the dramatic effect of their encounter.
Subtly, the drawing explores themes of recognition, identity, and the uncanny. Hannah’s inability to acknowledge Jem implies a disruption in the expected order of things – a challenge to her perception of reality. The exaggerated features of Jem suggest that he is not merely unfamiliar but fundamentally different, perhaps belonging to a realm beyond human comprehension. The scene evokes a sense of unease and mystery, prompting questions about the nature of their relationship and the circumstances surrounding their meeting. The title itself reinforces this ambiguity; it highlights the central conflict – Hannah’s failure to recognize someone who should be familiar.