Francis Danby – The Avon Gorge
1816~1818. 33×25
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has employed atmospheric perspective to convey depth; distant features are softened and appear paler, creating an illusion of vastness. The sky occupies a significant portion of the canvas, displaying a delicate interplay of pale blues, pinks, and whites suggesting a late afternoon or early morning hour. Clouds drift lazily across this expanse, adding to the sense of tranquility and scale.
In the foreground, a small group of figures is positioned on a rocky outcrop, seemingly absorbed in contemplating the panorama before them. The inclusion of these human forms serves to emphasize the grandeur of the natural setting, highlighting humanity’s relative insignificance within such an immense landscape. Their posture suggests awe and contemplation rather than active engagement with the environment.
The paintings subtexts revolve around themes of sublime beauty and the power of nature. The gorge itself represents a force that has shaped the land over millennia, dwarfing human endeavors. There is a sense of romanticism inherent in the scene; it evokes feelings of wonder, solitude, and perhaps even melancholy. The muted color palette and soft lighting contribute to an overall mood of quiet contemplation, inviting the viewer to reflect on their place within the natural world. The deliberate placement of figures underscores this theme, suggesting that experiencing such a vista is a profound and humbling encounter.