Girlwith Green Hair-1966 Stanley Mouse

The artwork presents a striking visual composition dominated by a female figure and bold typography, rendered in a style reminiscent of Art Nouveau poster design. The color palette is restricted primarily to shades of red, green, and cream, creating a high-contrast effect that draws the eye immediately to the central subject.
Here we see a young woman depicted in profile, her gaze directed towards an unseen point beyond the frame. Her most prominent feature is undoubtedly her voluminous hair, rendered in a vibrant, almost unnatural shade of green. The strands cascade downwards, forming a swirling, organic pattern that envelops much of the composition and contributes to a sense of movement and dynamism. She wears what appears to be a simple dress or blouse, its neckline adorned with a delicate red embellishment.
The text is integrated into the design in a layered fashion. Large, stylized lettering announces names and phrases – “Jim Weskin Jug Band Electric Train” and Big Brother & The Holding Company - arranged above and below the figure respectively. Smaller text at the bottom provides details regarding the events date and location: October 8th at Avalon Ballroom in San Francisco. The words Dance and Concept are positioned on either side of the central image, suggesting a dual nature to the presentation – both entertainment and an underlying thematic exploration.
A circular motif featuring what seems to be a locomotive is placed behind the woman’s head, partially obscured by her hair. This element introduces a symbolic layer, potentially referencing industrialization or progress, which could be interpreted as a commentary on societal change or technological advancement.
The overall effect is one of stylized beauty combined with an underlying sense of unease or ambiguity. The unnatural color of the woman’s hair and the juxtaposition of organic forms (her hair) with mechanical imagery (the train) suggest a tension between nature and industry, tradition and modernity. The choice to portray her in profile, rather than directly facing the viewer, creates a distance that invites speculation about her thoughts or feelings. The designs aesthetic evokes a sense of nostalgia for a specific cultural moment, while simultaneously hinting at broader themes of identity, societal transformation, and artistic expression.