Exter – view of paris 1912
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The artist’s approach to representation departs significantly from traditional perspective and naturalistic rendering. Instead of attempting to recreate a faithful depiction of reality, the scene is constructed through an assemblage of angular shapes and flattened planes. Color plays a crucial role in defining these forms; greens, browns, grays, and touches of red are employed not to mimic local color but to delineate spatial relationships and create a sense of visual dynamism. The absence of clear lines and the overlapping of geometric elements contribute to a feeling of disorientation and fragmentation.
Subtly embedded within this fractured vision is an exploration of urban experience in a period of rapid modernization. The breakdown of recognizable forms might be interpreted as reflecting the psychological impact of industrialization and urbanization on individual perception. The city, once a symbol of order and permanence, appears here as a collection of disconnected fragments, suggesting a loss of coherence or stability.
The dark foreground serves to isolate the cityscape, emphasizing its distance from the viewer and perhaps hinting at a sense of alienation. While the recognizable architectural landmarks anchor the scene in a specific location, their deconstruction through geometric abstraction transforms them into symbols rather than representations of concrete places. The overall effect is one of controlled chaos – a visual representation of a city undergoing profound transformation.