Joseph Farquharson – The Sun Had Closed the Winter’s Day
Location: Towneley Hall Art Gallery and Museum, Burnley.
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The composition is structured around a central pathway which draws the eye into the scene and creates depth. Flanking this path are dense trees, their bare branches reaching upwards against the sky. The artist has rendered these trees with meticulous detail, capturing the texture of bark and the delicate tracery of twigs laden with snow. A sense of enclosure is created by the surrounding foliage, which simultaneously frames the view and suggests a secluded, rural setting.
The light source originates from behind the trees on the right side of the canvas, casting a warm glow that illuminates the distant landscape. This golden light contrasts sharply with the cool tones of the snow and shadows, creating a visual tension that enhances the overall atmosphere. The sky itself is not fully visible, but hints at a sunset or twilight hour, contributing to the feeling of closure and the end of a day.
Beyond the immediate flock, a solitary figure can be discerned in the distance, seemingly walking along the same path. This individual’s presence introduces an element of human interaction with the natural world, yet their remoteness reinforces the paintings overall theme of solitude and contemplation. The placement of this figure also suggests a narrative – perhaps a shepherd guiding his flock home or simply someone traversing the landscape at dusk.
The subtexts within the work revolve around themes of pastoral life, the cyclical nature of seasons, and the passage of time. The sheep symbolize innocence, vulnerability, and the rhythms of rural existence. The snow evokes feelings of stillness, purity, and perhaps a touch of melancholy. The fading light speaks to the end of an era or a days labor, hinting at themes of reflection and acceptance. Ultimately, the painting conveys a sense of peaceful resignation and the beauty found in the quiet moments of nature’s embrace.